My relationship with interiors began long before I understood it as a discipline or an industry. It started with objects — their weight, patina, and quiet authority — and with spaces that felt lived-in rather than styled.

I grew up in Surrey, an environment that was comfortable but visually unremarkable. Everything changed when I was sixteen and my family moved to Shropshire, renting Morville Hall, a house previously tenanted by the interior designer Christopher Hodsoll. Walking through the house for the first time was a formative experience. I had never seen such a rich and layered collection of furniture, art, and objects, nor witnessed how history, architecture, and personal taste could coexist so harmoniously. It was the moment I realised that interiors could tell stories.

During our time at Morville Hall, I became deeply involved in shaping the space. I helped my mother source furniture, photographed every piece we owned, and created a detailed reference document to understand how each item related to the house as a whole. This process — equal parts analytical and intuitive — sparked an enduring fascination with curation, proportion, and atmosphere.

That instinct followed me to university and beyond. I graduated from The Courtauld Institute of Art with a First-Class degree, where my academic training sharpened my visual literacy and historical understanding. Even as a student, I resisted the transient, disposable approach often taken to interiors. Over three years in the same flat, I slowly transformed the space, favouring considered pieces over quick fixes — fairy lights firmly banned.

Since then, my passion has only deepened. Last summer, I drove to Provence on a trip dedicated entirely to sourcing antiques, and I continue to spend much of my spare time immersed in auctions, dealers, and research. Although I currently work as a Merchandiser at Joseph — a role that has given me a rigorous commercial grounding, fluency with numbers, and an understanding of stock and presentation — my heart remains firmly with objects and interiors.

I have hands-on experience working within the antiques world, including assisting on a stand at the Treasure House Fair with Thomas Coulborn & Sons, as well as extensive client-facing experience through my work managing wholesale showrooms in London and Paris. These roles have shaped my belief that successful interiors sit at the intersection of aesthetic sensitivity and practical intelligence.

This platform is a space to share my ongoing exploration of interiors, antiques, and curation — from personal projects and sourcing trips to the objects and spaces that inspire me most. My approach is rooted in narrative-led interiors: spaces that feel collected, personal, and quietly confident rather than overly polished.

I am endlessly curious, always learning, and deeply drawn to the beauty of things made to last.